Roy Uprichard
The Chapel of San Caralampio
A scallop shell, the emblem of the Camino is a symbol that all roads lead to Santiago.
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But sometimes, when things go wrong, it can lead you away - to elsewhere, exploring places like A Toxa, an island idyll
south of Santiago.it has a unique treasure: a chapel gleaming like mother-of-pearl, completely covered in thousands of scallop shells.
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People gather before its doors, some bow to read names and dates, prayers for healing, while others kneel, writing new
entreaties over old.
From the porch, I lift a leaflet which tells me this twelfth-century chapel is dedicated to the little-known San Caralampio and
the Virgen Del Carmen, patron saint of fishermen.
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The porch opens onto a simple nave, a crisscross vault, whitewashed walls inlaid with ships timbers - a place fishermen
would feel at home.
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Behind the altar, a small figurine set within a vertical shell shows the Virgin stands like a variant of Botticelli’s Venus Rising.
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I sit near the front, where my eye is drawn to a stained-glass Saint James. But this Saint James seems far from otherworldly.
A fierce face that wouldn’t suffer fools, reminding me of a conversation with a Scottish Pilgrim beneath a similar window in Burgos. ‘He’s my kinda saint.’ He said. ‘Not gazing off into the middle distance as if he’s about tae swoon.’
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He wasn’t wrong. This James could easily double as a Calvinist Scot, as ready to swing a sword as staff. A real ‘Son of Thunder’.
Someone sits behind me and brings me back to the present.